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機場捷運公共藝術作品介紹9 高鐵桃園站(A18)-氣門九號律動 TIAA MRT Public Art Series Report (9) Taoyuan HSR Station (A18) - Movement No.9-Airgate

德國藝術家佛羅里安.克拉爾(Florian Claar)關注光線與物體律動的展現,擅以大型雕塑表現氣流的流動性與動感,創作形式常以大型雕塑表現出氣流張力與動感的意象:低限、未來且工業化,同時搭配科技感十足的金屬材質及色彩,整體散發出強烈的當代風格。克拉爾在日本與亞洲獲得極高的知名度,其作品典藏在許多重要景點,包括東京中城(Midtown)、金澤21世紀美術館、西武文理大學、桃園諾福特華航桃園機場飯店、臺北市大安區行政中心等。
高鐵與機場捷運都是為了速度與時間而被建造,本作品「氣門九號律動」設置於高鐵桃園站與機場捷運A18站間的地面開放廣場上,創作構想是克拉爾從機場作為天空與地面的轉換介面開始發想,並透過物體在氣流中運動時所產生的各種「力」,以及航空技術等知識研究創作而成的。作品外型取自物體快速行進所產生的律動姿態,擴張與緊縮之輪廓曲度,與成形角度。試圖將流體黏性、可壓縮性、三次元運動等特性一併置入其中。以一種非具象卻意象鮮明的速度感作為空間定位,象徵時間、當代與速度的巨大雕塑作為天空與地面的中介。作品以寬闊的幾何形體描繪運動中的飛行現象,內部設計則表現不斷移動的特色,帶出氣流穩定流動的意象。並透過其熟練的金屬材質呈現氣與力的流動。讓觀者在與作品相遇時,得以親身感受飛行時的風速與氣道。

作品藝術家:佛羅里安.克拉爾
作品名稱:氣門九號律動
作品設置站名:高鐵桃園站(A18)
作品設置位置:機捷與高鐵間地面廣場

German artist Florian Claar puts focus on demonstration of the rhythm of the light and objects. He is skillful in using large-scale sculptures to display the fluidity and dynamic performance. His creative form often shows the airflow tension and dynamic image through large-scale sculptures: minimalism, future and industrialization; at the same time collocating with metal materials and colors that shows a sense of science and technology, the overall artwork exudes a strong contemporary style. Claar has a high profile in Japan and Asia. His works are featured in many important attractions, including Tokyo Midtown, 21st Century Museum of Contemporary Art-Kanazawa, Bunri University of Hospitality, Novotel Taipei Taoyuan International Airport Hotel, Daan District Administration Center and so on.
HSR and TIAA MRT are both built for speed and saving time. This public art is installed at the open courtyard walkway between HSR and TIAA MRT systems. Acting as a medium between the sky and the ground, this artwork is inspired by airflow aerodynamics as well as aviation technology. The form of "Movement no.9 –Airgate" originates from the rhythmic form when objects are put in motion, the contour and curvature of compression and expansion and the forming angle. The artist attempted to integrate fluid cohesion, compressibility and three-dimensional movement into the artwork. With a kind of non-figurative but apparent image of speed as spatial positioning, he used the great sculpture as the intermediary between the sky and the ground, symbolizing time, contemporary and speed. The broad geometric shapes depict the act of flying; the internal design demonstrates the characteristic of constant motion and brings out a sense of smooth stability with the airflow. The flow of air and force is also demonstrated through the metal materials that the artist is an expert in. When encountering the public art, it allows the audience to personally feel the wind speed and air during flying.


Artist:Florian Claar
Title of the Public Art: Movement no.9-Airgate
Station of the Public Art:HSR Taoyuan Station (A18)
Location of the Public Art:Courtyard Walkway between HSR and TIAA MRT Systems

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